Max
Look, here’s my story...
I’ve been grinding in this industry for over 20 years now, mostly based out of the States, and man, I’ve seen it all. I didn’t just start typing yesterday. I’ve got a bunch of my own movies out there, but just as often, I’m the guy who gets the "emergency call." You know the drill: a production hits a wall, the story falls apart, and they need someone to jump in, tighten up the script, punch up the dialogue, or actually give the characters some soul.What’s my life like? Imagine a never-ending race between deadlines and coffee shops. In L.A., everyone’s trying to be "somebody," but the real work happens in the quiet of a room, staring at a monitor. I’ve had my moments on the red carpet, but I’ve also had those 3 a.m. sessions where I’m scrapping an entire scene because I finally realized it just wasn't working.
I’m not just a writer; I’m kind of a "fixer" on set. Whether it’s giving the director a fresh perspective or arguing with producers about the vision, the goal is always the same: tell a damn good story. After all these years, the biggest rush is still seeing something I sketched out on a notepad come to life on the big screen, watching people laugh or cry at it.
That’s my world. It’s not always easy, but I wouldn’t trade it for anything.
- Location
- USA
- Primary filmmaking role
- Writer
Trophies
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1
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