Recent content by Ryan

Hi @Davud, TophVision has a project submission option on its website, although I'm not sure whether they're currently accepting outside TV pilots. For AMG Visuals, I'd suggest reaching out first with a short introduction and logline rather than sending the full script unsolicited. One thing...

Mark, one thing I'd consider before investing too much into the animatic is what you want it to achieve. There's a difference between making something that introduces BLOOM to an audience and something that convinces a producer or animation studio to get involved. If the goal is to attract a...

One of the biggest mistakes is overlooking distribution expenses. A strong revenue split means little if marketing costs, fees, and deductions are not clearly defined and capped. The details often matter more than the percentages.

Davud, since you're looking for a producer or representation, I came across a couple of companies that might be worth exploring. AMG Visuals and TophVision Studios have both been featured in FilmPlatforms' Industry Spotlight interviews. TophVision also has a project submission option on its...

Interesting concept, Valentin! For me, the strongest element of Erebus-9 isn't necessarily the abandoned asteroid colony itself, but the moral and emotional conflict created by the possibility of preserving human memories beyond death. The commander's situation is particularly compelling...

Welcome to FilmPlatforms! Both of your projects sound interesting, especially the psychological thriller. I'm curious where you currently stand in terms of production. Do you already have a production plan or budget in place, or are you just beginning to put your team together? I think this...

Did you create the concept trailer entirely yourselves, or did you work with other creators on it? It looks really good. I’d also be curious to know which country in Europe you’re developing NIMOOS from, especially as that could be relevant when exploring future co-production opportunities.

You’ve explained really well what makes OB TRIAGE different creatively. But from the financing side, what do you think is the strongest commercial hook? What is the one thing you believe could make an investor or producing partner say, “This is worth backing”?

Welcome, Sohrab! With 12+ years in post-production, I’d be curious to hear if you’ve worked on any feature films or narrative projects that particularly stand out to you. What kind of projects have you enjoyed editing the most?

Mike, that raises an interesting question: when an existing track is licensed but then custom edits, mixes, or even orchestration changes are created specifically for the film, where do you see the line between licensing and a bespoke score? And from a producer’s perspective, how does that...

Michael’s point about production certainty makes me wonder about the insurance side too. If VP genuinely reduces risks like weather delays, location problems or lost shooting days, are insurers starting to recognize that when assessing a production, or is it still treated basically the same as a...

That raises an interesting question, Jim. Are there other notable film or theatre figures in the manuscript where Bramwell shares first-hand stories or observations that may not have been documented elsewhere? If so, that could become an important part of how the manuscript is positioned to...

Have you had a chance to test the project internationally yet for example, by speaking with sales agents or distributors about the potential demand for an African historical epic outside Africa? I’d be curious to know if you already have a sales or distribution strategy in mind.

Michael, I’d add one test to this: can you explain the film without opening the deck? Not the plot why this film, why this audience, and why now. If that takes ten slides to explain, the project may not be too early for a sales agent. It may simply not be clear enough yet.

@norwest I think there’s a danger here for writers and filmmakers. If churn becomes one of the metrics driving acquisition decisions, creators may increasingly feel pressure to design projects around subscriber behavior retention, repeat viewing, franchise potential rather than simply asking...