Recent content by Ryan

One thing I keep wondering about is what happens 10 or 20 years later when the film changes hands. A film might be sold to another distributor, relicensed into new territories or remastered by people who had nothing to do with the original production. Will they actually know which AI rights...

At 72% complete, I wonder if it might help to position this less as funding a film and more as financing a clearly defined completion plan. Since so much of the creative work already exists, you could potentially break the remaining work into specific milestones rigging, final animation...

I’d probably use both, but start at scene level. Before assigning broad production brackets, I’d separate the expensive elements into two categories: what is essential for the story and what is scalable spectacle. The lean version should still deliver the mythology, character arcs and key...

One thing I haven’t seen discussed yet is whether you have a target budget level in mind for the version of RAVANGA you’re developing. With VFX-heavy fantasy, the same concept could potentially be designed very differently at different budget levels. Would it make sense to develop a realistic...

That actually connects with a recent experience of my own, and I think it shows why the commission percentage isn't the only thing worth paying attention to in a sales agency agreement. I recently started discussions with a production about handling international sales for their project, and...

Lucas brought up a critical point that usually gets ignored: a perfect deck is useless if it sits in the wrong inbox. From what I’ve experienced, private equity and family offices rarely respond to cold pitch decks, even if they look like a studio-grade production. What actually works is...

Hannah, I wonder if part of reinventing the middle is proving the audience earlier, rather than simply finding a new source of financing. If a mid-budget project can demonstrate real audience demand before production, it may become a very different proposition for investors and distributors. Do...

Nice range, Subin. Hearing the different moods side by side gives a much better sense of your versatility as a composer. When you score a film, do you prefer getting involved early and developing the musical direction with the filmmaker, or working from a more finished cut?

Congratulations on the recognition! The concept immediately caught my attention, especially the questions around identity and memory. I'm curious when people have read the script so far, what has stayed with them the most? The psychological mystery, the emotional journey, or the sci-fi concept...

One thing I'd be particularly interested in hearing at PaleyFest is how creators decide what to leave out. Every series has great ideas that never make it to the screen. The hardest creative decisions often aren't about what to add, but what to remove without losing the story's emotional...

Great point, John. I think virtual production doesn't just introduce a new technology it shifts creative decision-making to a much earlier stage. That may be its biggest impact on filmmaking, regardless of budget.

I really enjoyed reading about what inspired the story. Knowing that it grew from a real-life tragedy gives the concept an even stronger emotional foundation. I was also curious about the production side of the project. Have you already thought about where you'd ideally like the series to be...

Great list. I'd add one more point that I've found increasingly important over the years: understand the business case for your project before production begins. Many filmmakers spend months refining the script, assembling a talented team, and shaping the creative vision, but far less time...

John, I think your point made me think about something slightly different. I sometimes think the biggest influence Netflix has isn't the algorithm itself. It's the industry's perception of what Netflix wants. Producers, financiers and sales agents all try to anticipate that demand, so by the...

I think the biggest strength of MasterClass isn't that it teaches you exactly how to make a film. It's hearing how experienced filmmakers think through creative decisions. Listening to directors like Martin Scorsese or Ron Howard explain why they approached a scene a certain way gave me a...