- Joined
- Jan 4, 2026
- Messages
- 5
Hi everyone! I’ve been thinking a lot lately about how much the industry has changed, and there’s a tough lesson I think every producer should hear. In 2026, the reality is that your script is often secondary to the tax credit. It sounds harsh, but as a Line Producer, I find myself spending way more time analyzing state legislation and tax codes than actually looking at storyboards.
Take the whole Georgia versus New Mexico situation for example. Georgia’s 30% is still the gold standard, but the infrastructure in Atlanta is so saturated right now that finding a good gaffer who isn't already locked on a Marvel set is like finding a needle in a haystack. Meanwhile, Albuquerque is catching up fast, but you really have to do your homework before you commit.
The biggest mistake I see is when people don't calculate their actual spend-to-rebate ratio early enough. Those out-of-state labor penalties and travel housing logistics can absolutely kill an indie budget. Sometimes you think you're saving 10% by moving a 50-person crew across the country, but in the end, the hidden costs and the broker's cut leave you with almost nothing.
I’m curious what you guys think about this. Have you had any real-world experiences where the tax credit look good on paper but turned into a nightmare in reality? Is it even worth chasing these credits anymore for smaller indie projects? Let’s share some honest stories!
Take the whole Georgia versus New Mexico situation for example. Georgia’s 30% is still the gold standard, but the infrastructure in Atlanta is so saturated right now that finding a good gaffer who isn't already locked on a Marvel set is like finding a needle in a haystack. Meanwhile, Albuquerque is catching up fast, but you really have to do your homework before you commit.
The biggest mistake I see is when people don't calculate their actual spend-to-rebate ratio early enough. Those out-of-state labor penalties and travel housing logistics can absolutely kill an indie budget. Sometimes you think you're saving 10% by moving a 50-person crew across the country, but in the end, the hidden costs and the broker's cut leave you with almost nothing.
I’m curious what you guys think about this. Have you had any real-world experiences where the tax credit look good on paper but turned into a nightmare in reality? Is it even worth chasing these credits anymore for smaller indie projects? Let’s share some honest stories!
