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  1. vasshy

    What Are You Working On? Share Your Project with the FilmPlatforms Community

    Thank you so much! Really appreciate the kind words and support. Looking forward to connecting with potential partners here!
  2. vasshy

    What Are You Working On? Share Your Project with the FilmPlatforms Community

    Hi! I'm currently working on RAVANGA: The Divided Planet, an international Dark Fantasy IP with a rich original mythology and strong castability. We already have a complete pilot/script and a fully polished pitch deck ready. Right now, I'm looking for an international producer or co-production...
  3. vasshy

    Question Positioning a Dark Fantasy IP: Balancing Creative Ambition and Budget Reality

    Hi Doc, That is a very valid and critical point, and I appreciate you bringing it up. To answer directly: RAVANGA is a 100% original, independent intellectual property (IP). While it embraces the tone and scope of dark fantasy/survival thrillers, every core element—from the mechanics of the...
  4. vasshy

    Question Positioning a Dark Fantasy IP: Balancing Creative Ambition and Budget Reality

    Hi Lucas, That is the exact core question, and I appreciate you asking it. What truly separates RAVANGA is its fundamental hook: The Planet-Dividing Wall and its evolving nature. Unlike traditional fantasy boundaries, the Wall isn't just lore background—it is a living narrative engine. For...
  5. vasshy

    Question Positioning a Dark Fantasy IP: Balancing Creative Ambition and Budget Reality

    Great question. Positioning RAVANGA commercially comes down to bridging the gap between high-concept fantasy and grounded, character-driven thrillers. Core Audience: Mature Audiences (18+) who crave dark, morally complex, narrative-heavy genre stories with mythic or psychological depth...
  6. vasshy

    Question Positioning a Dark Fantasy IP: Balancing Creative Ambition and Budget Reality

    Totally agreed on that point. Bringing a co-producer or line producer on board early to reality-check the budget against the visual scope is definitely the goal before locking anything in permanently. Appreciate the great advice!
  7. vasshy

    Question Positioning a Dark Fantasy IP: Balancing Creative Ambition and Budget Reality

    Spot on, Ryan! Defining the "minimum viable production" first is exactly how we’re structuring the RAVANGA pilot. Keeping the mythology and character-driven drama core-focused means the story delivers its full emotional impact on a lean budget, while leaving clear expansion points for VFX and...
  8. vasshy

    Question Positioning a Dark Fantasy IP: Balancing Creative Ambition and Budget Reality

    That’s a spot-on question, Ryan. Tiering the project is actually central to our current strategy. We are developing RAVANGA with a clear "lean base model" targeted at mid-tier/indie co-production levels, relying heavily on practical atmospheric sets, strong character-driven drama, and reusable...
  9. vasshy

    Question Positioning a Dark Fantasy IP: Balancing Creative Ambition and Budget Reality

    100% agree, norwest. That’s actually the primary reason I’m looking to partner with an experienced producer at this stage. It’s much better to shape the visual scope collaboratively with a production partner early on than to write ourselves into a corner financially. Leaving enough room for a...
  10. vasshy

    Question Positioning a Dark Fantasy IP: Balancing Creative Ambition and Budget Reality

    Spot on, Cinema Doktor. Focusing on cost drivers and reusability is definitely the smartest way to frame scope early on. For RAVANGA, the primary cost drivers are the VFX-heavy world-building and specialized character/costume design required for a dark fantasy setting. To balance this, my...
  11. vasshy

    Question Positioning a Dark Fantasy IP: Balancing Creative Ambition and Budget Reality

    Thanks for the input, Hanna! Completely agree that having a polished pilot and series bible is key to giving production partners the right vision for the project. Appreciate you stopping by the thread!
  12. vasshy

    Question Positioning a Dark Fantasy IP: Balancing Creative Ambition and Budget Reality

    That’s a spot-on point, and I completely agree with your reasoning. The Pilot definitely bears the brunt of the initial setup costs—building primary sets, creating CGI 3D models/VFX assets, and designing high-end costumes—which can then be amortized across the rest of the season. From a...
  13. vasshy

    Question Positioning a Dark Fantasy IP: Balancing Creative Ambition and Budget Reality

    Hi Everyone, I’m currently in the early development phase of an original dark fantasy series IP titled "RAVANGA," and I’d love to get some insights from experienced producers and creators on the platform regarding project positioning. The core concept is a premium, live-action dark fantasy...
  14. vasshy

    Streaming TV Fantasy RAVANGA: The Divided World – Dark Fantasy TV Series

    "Hi Hannah, Thank you so much for reaching out! I’m glad to hear that the concept and the tone of RAVANGA resonate with you. I’d love to connect and discuss your background in screenplay development and how we might work together on this. Let’s move this to a DM as you suggested. I’ll send you a...
  15. vasshy

    Streaming TV Fantasy RAVANGA: The Divided World – Dark Fantasy TV Series

    Hi Cinema Doktor, thank you so much for the warm welcome and the interest! Yes, absolutely! We have fully developed the Pitch Deck, character concepts, and visual world-building for Ravanga to lay down a solid foundation for on-screen vision. I'd be more than happy to share some of the...
  16. vasshy

    Streaming TV Fantasy RAVANGA: The Divided World – Dark Fantasy TV Series

    Hi Everyone! 👋 I’m excited to share my new dark fantasy TV series project with the FilmPlatforms community. Feel free to check out the details below, and let me know your thoughts or reach out if you're interested in partnering up! PROJECT TITLE: RAVANGA: THE DIVIDED WORLD Creator / Project...
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