Basically it comes down to how does the both the composer and filmmaker afford to make the music work for the film on a very limited budget. The composer is able to afford to provide the score with minimal edits and existing tracks while still owning the tracks and the filmmaker is able to...
Thank you! Many projects don't have the budget to afford a composer to create a full score so instead the filmmaker can license work from the composer who has a library or extra tracks that may work for the project. They will still be getting original tracks and music themes from a composer at...