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I went back through the screenplay after your suggestion, and I think I actually have a scene that could work really well for that. There’s an outbreak sequence inside the ship’s movie theater where an action movie is playing while a passenger begins to turn. The movie’s explosions and screams...

Thank you, Samantha. I really like that idea. There are a few scenes that could potentially work on their own, especially once the outbreak begins and the characters are trapped within the ship’s interior spaces. I’d want the proof of concept to show not only the outbreak and tension, but also...

Thank you, Samantha. I have thought about ways to keep the production controlled without sacrificing the realism of the film. I’d prefer to rely heavily on practical sets and real locations for the interiors, with VFX used selectively for the larger ship and ocean environments. I think that...

Thank you for your interest in The Cruise. I do have a pitch deck prepared, including the project overview, estimated budget range, franchise direction, and target casting. Before I send over additional project materials, would you mind sharing a little more about your production background and...

THE CRUISE is a completed feature screenplay and is designed to work as a standalone film, while also having a larger story mapped out with the potential to expand into a four-film franchise. At this stage, I’m primarily looking to connect with a producer who sees the potential in the concept...

Hi everyone! I’m Brandy Robertson, screenwriter of The Cruise, a contained outbreak horror/thriller set aboard a cruise ship. When a synthetic drug triggers a violent outbreak at sea, thousands of passengers are trapped with nowhere to escape. As the infection spreads through bites, blood, and...

Screenwriter developing high-concept horror, thriller, and dark fantasy features, including The Cruise, The Shadows of Neverland, and The Debt of the Slipper. Focused on character-driven genre stories, reimagined mythology, and contained concepts with strong commercial potential.