film distribution

  1. George

    Insight Sales Agents From a Producer’s Perspective

    Sales Agents From a Producer’s Perspective As a producer over the past few years I’ve had quite a few negative experiences with sales agents. I don’t want to generalize because of course every film is different and the success of selling a film depends on many factors. The story, the actors...
  2. Lucas

    Discussion Why Short Films Almost Never Make Money

    Short films are everywhere in festivals, yet almost invisible in revenue reports. After uploading multiple award-winning shorts to Filmhub, the total income was barely enough to buy a coffee. I’d like to share a very honest experience regarding short film distribution. I uploaded several short...
  3. A

    Discussion Festival premiere or direct distribution? Strategic decisions beyond hype

    After finishing a film, the first instinct is often to think in terms of festivals. In many cases this makes sense, but experience shows that a festival premiere is not automatically the best first step for every project. It’s important to distinguish between which festivals we’re talking...
  4. A

    Advanced / Professional The 2026 Streaming Trap: Why the ‘Flat Fee’ is Dying and What Your Distributor Isn't Telling You

    The 2026 Streaming Trap: Why the ‘Flat Fee’ is Dying and What Your Distributor Isn't Telling You Introduction: The End of the Golden EraThe days when a Netflix acquisition meant a comfortable retirement for a producer are officially over. By 2026, the market has not only reached saturation but...
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