Opinion Is Distribution Really Dead for Low-Budget Indie Films? A Reality Check

Lucas

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Is Distribution Really Dead for Low-Budget Indie Films? A Reality Check

This question comes up a lot, especially among newcomers, and the honest answer is uncomfortable but important.
Yes, low-budget indie films can still be sold or monetized but festivals are rarely where that journey actually begins. For most newcomers, festivals work as leverage, not as a sales engine.
Festivals help with credibility, positioning, press quotes and face-to-face meetings. What they usually don’t do is magically connect unknown films with distributors or fix a project that has no clear market identity.
Most low-budget films that earn money today do it through niche distributors, hybrid or self-distribution, community screenings, or long-tail online sales. In many cases, conversations with distributors start before the festival, not after it.

If the entire plan is “let’s submit to festivals and see what happens,” that’s not really a distribution strategy it’s hoping for luck.

Festivals still matter. Distribution isn’t dead. But for newcomers, clear positioning and early outreach matter far more than laurels alone.
 
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