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Subin1986

New member
Industry Professional
Joined
Aug 16, 2026
Messages
11
Hey everyone.. Im Subin, an indie music composer and music producer. I mainly work on film, animation, games, and other visual projects, especially in mystery, suspense, emotional, sci-fi, action, and epic styles.

I’m here to meet other creators, collaborate, and hopefully make some cool stuff together. Looking forward to being part of the community!
 
Hey everyone.. Im Subin, an indie music composer and music producer. I mainly work on film, animation, games, and other visual projects, especially in mystery, suspense, emotional, sci-fi, action, and epic styles.

I’m here to meet other creators, collaborate, and hopefully make some cool stuff together. Looking forward to being part of the community!

Welcome to FilmPlatforms, Subin! Great to have a composer in the community. Are you currently looking to collaborate on any particular type of film or project?
 
Welcome to FilmPlatforms, Subin! Great to have a composer in the community. Are you currently looking to collaborate on any particular type of film or project?
Hello @Cinema Doktor . Thank you!
Yes, I am looking for projects that I can compose remotely. Type of film: short, long, animation... doesn't matter. I just want to write some music and tell the story on the screen with my sound pallet.
 
Hello @Cinema Doktor . Thank you!
Yes, I am looking for projects that I can compose remotely. Type of film: short, long, animation... doesn't matter. I just want to write some music and tell the story on the screen with my sound pallet.

@Subin1986 , it might be worth sharing a couple of your strongest tracks or a short showreel here as well. For filmmakers looking for a composer, hearing how you approach different moods can make it much easier to see whether there’s a creative fit.
 
@Subin1986 , it might be worth sharing a couple of your strongest tracks or a short showreel here as well. For filmmakers looking for a composer, hearing how you approach different moods can make it much easier to see whether there’s a creative fit.
Sure & happy to

Mystery:
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Ethereal:
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Festive:
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Folkish/romance?:
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Just wrote something for the picture:
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Fantasy: https://youtu.be/G9BQu_Z8tAY?si=zURMG0eQoA7n0zwH
 
Sure & happy to

Mystery:
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Ethereal:
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Festive:
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Folkish/romance?:
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Just wrote something for the picture:
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Fantasy: https://youtu.be/G9BQu_Z8tAY?si=zURMG0eQoA7n0zwH

Nice range, Subin. Hearing the different moods side by side gives a much better sense of your versatility as a composer. When you score a film, do you prefer getting involved early and developing the musical direction with the filmmaker, or working from a more finished cut?
 
Thank you for your kind words..

The first thing I do is talk to the director, second, I read the script or aask explain the director about the story, where it happening, whether the story has a pleasent end, or its bad, or it ends with a question..

Talking to the director is the important part for me, because they are the storyteller. It’s important for me to understand what the director has in mind for the sound and how they want the story to feel.
It doesn’t matter if I write something better than Beethoven. If the director feels that the music doesn’t fit the scene or doesn’t match their vision, then it doesn’t matter how beautiful the music is. And honestly, it doesn’t matter if the whole world loves or hates my music either. What matters is whether the director feels that it works for their film.
So yes, I prefer to get involved early in the process. Most of the time, I’ll be very quiet at first just listening, observing, and absorbing what they say, the ideas, the environment, the dialogue, and the overall atmosphere. Those things give me a much better understanding of where the music should go.
For heavy action scenes, though, I usually prefer working with a more finished cut. Those scenes often have deliberate risers, buildups, drops, impacts, and other precise moments where the timing needs to be spot-on.
 
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