Discussion Production StoryOPS – Film Production Automation Platform | First Look

[krishnaaykkara]

A small screenplay revision can create a much bigger production problem.

A location changes. A character is added. A scene moves from INT to EXT.

Suddenly, several departments may need to revisit their plans.

That's one of the reasons I'm developing StoryOPS, a production coordination platform designed to keep screenplay scenes, requirements, changes and decisions connected.

I'm inviting a small group of film and TV professionals to an early walkthrough of Release 1.

I'll demonstrate how StoryOPS handles scene breakdowns, production requirements, human review and coordination.

I'm particularly interested in feedback from 1st ADs, line producers, production managers and script supervisors.

Wednesday, 4 November 2026

5 PM UK | 12 PM US Eastern | 9 AM US Pacific

30 minutes, including Q&A.

It's an early product preview, not a sales presentation.

If this is relevant to your work, I'd welcome your perspective.

Register: https://docs.google.com/forms/d/e/1FAIpQLSc0Acbuc_ciuPsfYvml7lkvx3FSPc0ZPX169coeeLqWL6udXw/viewform?usp=header

www.storyopsflow.com

#FilmProduction #AssistantDirector #ProductionManagement #StoryOPS

 

[Michael]

Hi Krishna,

What makes StoryOPS different from existing production management tools, and where do you see its biggest practical advantage?

I'm also curious whether it's designed for filmmakers just starting out, or mainly for experienced production teams. Their needs and challenges can be quite different.

 

[krishnaaykkara]

What makes StoryOPS different from existing production management tools, and where do you see its biggest practical advantage?

I'm also curious whether it's designed for filmmakers just starting out, or mainly for experienced production teams. Their needs and challenges can be quite different.

Thanks for the question, Michael.

The main difference is that StoryOPS keeps the screenplay, scene breakdown and production planning records in one workspace, so a screenplay change doesn’t stay an isolated edit. Teams can review the change, record department decisions, assign an owner, and track schedule and cost proposals with a history of what changed. Release 1 covers script to shoot day, but the longer-term vision goes beyond pre-production, carrying the same connected approach all the way from script to release.

I see the biggest practical advantage in that connection. When a scene changes from INT to EXT, for instance, it may prompt the team to look at location, lighting, equipment, schedule or cost. StoryOPS gives them a place to record those considerations and coordinate decisions, while the team remains responsible for confirming the impacts and updating the plans.

Confidentiality was also a deliberate choice. In the current release, screenplay processing runs on built-in rules rather than generative AI, so scripts aren’t sent to an external generative AI service, and people stay in control of the decisions. Data is also encrypted in transit and at rest.

As for who it’s for, I’d say both. Smaller productions get a structured starting point, and experienced teams get tools to coordinate revisions, planning and accountability. The aim is to keep it approachable as a production grows.

I’m continuing to shape StoryOPS with feedback from filmmakers, so I’d be glad to hear what slows your productions down most.