One of the most noticeable yet rarely discussed shifts in today’s film industry is what many professionals quietly refer to as “fake demand.” The market is full of meetings, positive feedback, and apparent interest, yet more and more producers and sales agents are realizing that much of this interest simply doesn’t convert into actual deals. This isn’t something you’ll see framed directly in official headlines. Instead, it appears under softer terms like “buyer selectivity,” “longer decision cycles,” or “market correction.” In practice, however, it often means that conversations start, momentum builds… and then nothing closes.
This is not limited to a single market. It’s happening across the board whether in Cannes, Berlin, or the AFM. The only difference is that in highly concentrated environments like Cannes, it becomes much more visible.
Buyers are still present, still taking meetings, still engaging. But in many cases, they are gathering information, tracking trends, or keeping options open rather than committing. Decision-making has slowed down, internal approvals have increased, and risk tolerance has clearly decreased.
As a result, film markets are evolving. They are becoming less about immediate deal-making, and more about initiating decisions that may or may not materialize later. This creates a new kind of challenge. Generating interest is no longer the hard part. Converting that interest into execution is.
So the real question is no longer whether demand exists in the market, but how much of that demand is actually real.
What are you seeing right now is the interest you’re getting translating into deals, or is it increasingly just part of the process?
This is not limited to a single market. It’s happening across the board whether in Cannes, Berlin, or the AFM. The only difference is that in highly concentrated environments like Cannes, it becomes much more visible.
Buyers are still present, still taking meetings, still engaging. But in many cases, they are gathering information, tracking trends, or keeping options open rather than committing. Decision-making has slowed down, internal approvals have increased, and risk tolerance has clearly decreased.
As a result, film markets are evolving. They are becoming less about immediate deal-making, and more about initiating decisions that may or may not materialize later. This creates a new kind of challenge. Generating interest is no longer the hard part. Converting that interest into execution is.
So the real question is no longer whether demand exists in the market, but how much of that demand is actually real.
What are you seeing right now is the interest you’re getting translating into deals, or is it increasingly just part of the process?