Discussion Question New start advice

[Anderson-Mark-Ian]

While searching through both here and Stage 32 - reading blogs, threads, comments, messages - I began to look for all the advice posted from individuals from across the industry.

I compiled a HUGE word document with pretty much every blog interview so I can re-read them if needs be.

However, I also have a couple of questions I would love to ask:

1. If you came across a screenplay you loved the sound/look of, what would prevent you working alongside the creator on an Equity-only basis?

2. Have you ever - on any platform - found work from another person and thought, "I need to help them get this done"?

3. What would be the single most important piece of advice you could give to some a fresh new writer looking to break into the industry?

4. Finally, what would you recommend as the best method for getting eyes on your own work, without feeling as though you are spamming each platform?

Thank in advance guys! I'm here to learn as well as help!

 

[Michael]

While searching through both here and Stage 32 - reading blogs, threads, comments, messages - I began to look for all the advice posted from individuals from across the industry.

I compiled a HUGE word document with pretty much every blog interview so I can re-read them if needs be.

However, I also have a couple of questions I would love to ask:

1. If you came across a screenplay you loved the sound/look of, what would prevent you working alongside the creator on an Equity-only basis?

2. Have you ever - on any platform - found work from another person and thought, "I need to help them get this done"?

3. What would be the single most important piece of advice you could give to some a fresh new writer looking to break into the industry?

4. Finally, what would you recommend as the best method for getting eyes on your own work, without feeling as though you are spamming each platform?

Thank in advance guys! I'm here to learn as well as help!

On your fourth question, I’d avoid repeatedly posting the same pitch. Instead, give people different reasons to discover the project ask for feedback on the logline, discuss a production challenge, share a decision you’re wrestling with, or contribute to other people’s discussions. If people start recognizing you before you ask them to read your screenplay, you’re already in a much better position.

 

[Anderson-Mark-Ian]

On your fourth question, I’d avoid repeatedly posting the same pitch. Instead, give people different reasons to discover the project ask for feedback on the logline, discuss a production challenge, share a decision you’re wrestling with, or contribute to other people’s discussions. If people start recognizing you before you ask them to read your screenplay, you’re already in a much better position.

Great advice Michael. I have just said this to another member over messages, almost word for word. Great to have it confirmed! Thank you

 

[Adam Films]

While searching through both here and Stage 32 - reading blogs, threads, comments, messages - I began to look for all the advice posted from individuals from across the industry.

I compiled a HUGE word document with pretty much every blog interview so I can re-read them if needs be.

However, I also have a couple of questions I would love to ask:

1. If you came across a screenplay you loved the sound/look of, what would prevent you working alongside the creator on an Equity-only basis?

2. Have you ever - on any platform - found work from another person and thought, "I need to help them get this done"?

3. What would be the single most important piece of advice you could give to some a fresh new writer looking to break into the industry?

4. Finally, what would you recommend as the best method for getting eyes on your own work, without feeling as though you are spamming each platform?

Thank in advance guys! I'm here to learn as well as help!

On your first question, I think the screenplay itself would only be part of the decision.

With an equity-only offer, I’d want to understand what already exists around the script. Is there a producer attached? A realistic budget and financing plan? A clear idea of the audience and market? And, importantly, what exactly is expected from me?

A great script can get someone interested, but asking them to invest months of work for a possible future return is a much bigger commitment.

So if I were approaching someone on an equity-only basis, I wouldn’t just pitch the screenplay. I’d show them the plan around it and exactly where they fit into that plan. The more credible the path from screenplay to production looks, the easier that conversation becomes.

 

[Anderson-Mark-Ian]

What a fantastic answer Adam thank you! I have an awful lot but connecting with others to learn the industry has been the focus. Every bit of advice I am given I take onboard. This will be taken into consideration moving forwards! Thanks again