What Are You Working On? Share Your Project with the FilmPlatforms Community

What's Your Next Step? Let's Talk About It!

Every film project is at a different stage, and every filmmaker faces different challenges along the way.

I'm curious to hear where everyone stands right now.

Which of these 10 areas are you currently focusing on?

  1. Developing a new concept or story
  2. Writing or rewriting a screenplay
  3. Finding a producer or co-production partner
  4. Securing financing or investors
  5. Building a cast and production team
  6. Preparing a pitch deck or presentation
  7. Moving into pre-production or filming
  8. Completing post-production
  9. Finding a sales agent or distributor
  10. Exploring film festivals and international markets
Pick a number (or several) and tell us a little about your project!

And if you've already overcome one of these challenges, we'd love to hear what worked for you.

FilmPlatforms is about more than showcasing our own projects. It's about exchanging experiences, sharing knowledge, building connections, and helping each other move forward.

Looking forward to hearing what everyone is working on! 🎥

@Royalpain7 @spmbowane @Jmgttown @Davud @MelonCollie @malume @Grace Realt @quaneka370 @link0739 @Jagalf2000 @JordanAugustine @LEE HAWKES
 
  • Like
Reactions: RGh
I am stuck at number 4. Presently, I am looking for a funded producer for my next feature film, INFATUATION. The moment I have the fund, I am all set to dive into preproduction.
 
Am still stuck @ number three....
 
Last edited:
Writing and rewriting a screenplay

Thank you, Grace!

Since you're also involved in screenplay evaluation and development, it would be great to hear your professional perspective.

In your experience, what are the most common challenges screenwriters face during the rewriting process, and what should they pay particular attention to?
 
I am stuck at number 4. Presently, I am looking for a funded producer for my next feature film, INFATUATION. The moment I have the fund, I am all set to dive into preproduction.

Thank you, Saibal!

We're glad to hear that INFATUATION is still ready to take the next step. It was a pleasure learning more about your project through our previous interview.

Have there been any developments regarding potential producing partners or financing since then?

We hope you'll find the right partner soon so the project can move into pre-production!

We'd also like to encourage everyone in the FilmPlatforms community to keep an eye on our upcoming interviews, as we're planning to feature film production and investment companies in the future as well.

We believe these conversations can provide valuable insights into how the film industry operates, what industry professionals look for in projects, and the challenges filmmakers face along the way.

There's so much to learn from experienced industry professionals, and our goal is to make these interviews a meaningful source of knowledge and professional value for everyone in our community.
 
Am still stuck @ number three....

Finding the right producer can certainly be a challenge! Could you tell us a little more about your project and what kind of producing partner you're looking for?

You might also find our Industry Spotlight interview series useful. We've already featured several producers and other film industry professionals, with more interviews planned.

Their contact details are included in the interviews, so you can reach out to them directly.

We encourage everyone in the FilmPlatforms community to explore these conversations. They offer valuable industry insights, different professional perspectives, and potential networking opportunities.
 
  • Like
Reactions: RGh
Thank you, Grace!

Since you're also involved in screenplay evaluation and development, it would be great to hear your professional perspective.

In your experience, what are the most common challenges screenwriters face during the rewriting process, and what should they pay particular attention to?
One of the biggest challenges in rewriting is fixing individual scenes without addressing the underlying story problems. Writers should prioritize structure, character motivation, pacing, and meaningful conflict before polishing dialogue. It's also important to incorporate feedback without losing the story's original voice. A strong rewrite isn't about changing more, but making the right changes to strengthen the story.
 
  • Like
Reactions: RGh
That’s an interesting way for the idea to come together, Robert. Turning the industry’s own clichés and expectations into a story sounds like a clever angle. Have you had a chance to get professional feedback on the screenplay, or are you mainly focused on getting it in front of producers?
 
Thank you, Saibal!

We're glad to hear that INFATUATION is still ready to take the next step. It was a pleasure learning more about your project through our previous interview.

Have there been any developments regarding potential producing partners or financing since then?

We hope you'll find the right partner soon so the project can move into pre-production!

We'd also like to encourage everyone in the FilmPlatforms community to keep an eye on our upcoming interviews, as we're planning to feature film production and investment companies in the future as well.

We believe these conversations can provide valuable insights into how the film industry operates, what industry professionals look for in projects, and the challenges filmmakers face along the way.

There's so much to learn from experienced industry professionals, and our goal is to make these interviews a meaningful source of knowledge and professional value for everyone in our community.
You are welcome, Zoltan.
Yes, I am in touch with a few producers. The conversations are going on. But the final deal is yet to happen. Let's hope for the best!
 
Thanks Zoltan for the mention and for the follow! Appreciate you checking out STEVEN.

For everyone seeing this — STEVEN is John Carpenter's HALLOWEEN meets THE OMEN and CARRIE — On Halloween night, 1975, a silent 6-year-old boy, cursed at birth in a hospital, sets his entire world ablaze. 13x wins, 5.0/5 Stage32, 100p, WGAE I347110 — $375K target / 18-day / 2-location / all practical fire. Full v13 one-pager is on my main post #308. Currently packaging producer-first and looking to connect with producers who sell to Raven Banner / Black Mandala type buyers.

Thanks again Zoltan for the support — great to be on FilmPlatforms.


— Barry
Thank you Ryan
 
What Could You Offer Another Filmmaker — and What Would You Need in Return?

We've discovered some interesting projects here, and many of you have shared the partners or opportunities you're looking for.

But I think there's something worth remembering: if we focus only on our own projects and wait for others to help us, we might miss valuable opportunities.

In my experience, the best connections often come from unexpected places. Taking a genuine interest in someone else's project, sharing advice, or offering help without expecting anything in return can open doors we never anticipated.

So here's my question:

What's one thing you could help another filmmaker with, and what's one thing you'd appreciate help with yourself?


It could be advice, creative collaboration, an industry introduction, or simply some honest feedback.

I'd love to hear your thoughts:

@Nivbooks @LucaDorado @verobernard @arminshirvani @krishnaaykkara @ambrosejames3580 @PIPSQUEAK ANIMATION @Mainak Ganguly @Flower_Palsofficial @eileensilva @Anjali Bhushan Mago @Eli Rose

Everyone else is welcome to join in, too. Take a look at each other's projects, join the discussions, and offer support where you can.

A strong professional community isn't just about what we can gain, but also what we can contribute to each other's success.
 
Well at this stage, Bloom is currently in the "awaiting outcomes" stage so I have begun concentrating on lyrics for my Ember Oracle page on YouTube - having fun writing and producing my completed lyrics into full songs using AI - just a little side hobby. Going through a little bump in life's long road and decided to get through it by putting pen to paper.

Currently, the recent tracks are about turning life around - from breaking to picking yourself up again - learning to love myself the way I should have.

Once I have this rhythm back down, I will turning towards my second animation AI-ien and working on the sample soundtrack for that project.

Sometimes we have to fall to come back stronger.
 
Well at this stage, Bloom is currently in the "awaiting outcomes" stage so I have begun concentrating on lyrics for my Ember Oracle page on YouTube - having fun writing and producing my completed lyrics into full songs using AI - just a little side hobby. Going through a little bump in life's long road and decided to get through it by putting pen to paper.

Currently, the recent tracks are about turning life around - from breaking to picking yourself up again - learning to love myself the way I should have.

Once I have this rhythm back down, I will turning towards my second animation AI-ien and working on the sample soundtrack for that project.

Sometimes we have to fall to come back stronger.

Sometimes a creative detour leads to something unexpected. Your songwriting might bring a fresh perspective to AI-ien. Hope things move forward with BLOOM, Mark. Keep creating!
 
What Could You Offer Another Filmmaker — and What Would You Need in Return?

We've discovered some interesting projects here, and many of you have shared the partners or opportunities you're looking for.

But I think there's something worth remembering: if we focus only on our own projects and wait for others to help us, we might miss valuable opportunities.

In my experience, the best connections often come from unexpected places. Taking a genuine interest in someone else's project, sharing advice, or offering help without expecting anything in return can open doors we never anticipated.

So here's my question:

What's one thing you could help another filmmaker with, and what's one thing you'd appreciate help with yourself?


It could be advice, creative collaboration, an industry introduction, or simply some honest feedback.

I'd love to hear your thoughts:

@Nivbooks @LucaDorado @verobernard @arminshirvani @krishnaaykkara @ambrosejames3580 @PIPSQUEAK ANIMATION @Mainak Ganguly @Flower_Palsofficial @eileensilva @Anjali Bhushan Mago @Eli Rose

Everyone else is welcome to join in, too. Take a look at each other's projects, join the discussions, and offer support where you can.

A strong professional community isn't just about what we can gain, but also what we can contribute to each other's success.
Hi Zoltan, Thanks for raising this topic. I can help other filmmakers doing post-production work in India. Also, I can give honest advice to the filmmakers in case they want to shoot in India and parts of Asia.
 
Hi Zoltan, Thanks for raising this topic. I can help other filmmakers doing post-production work in India. Also, I can give honest advice to the filmmakers in case they want to shoot in India and parts of Asia.

I think that's exactly what a good film community should be about, Saibal!

One of the reasons I joined FilmPlatforms is that, early in my career, I received a lot of help from experienced industry professionals who generously shared their knowledge. Now I'd like to give something back, especially to younger filmmakers and those just starting out.

Whenever I can, I'm happy to share advice, offer practical insights, or recommend a company or industry contact that might help someone move their project forward.

We can't solve every problem, but sometimes one piece of advice or the right introduction can make all the difference. :)
 
I think that's exactly what a good film community should be about, Saibal!

One of the reasons I joined FilmPlatforms is that, early in my career, I received a lot of help from experienced industry professionals who generously shared their knowledge. Now I'd like to give something back, especially to younger filmmakers and those just starting out.

Whenever I can, I'm happy to share advice, offer practical insights, or recommend a company or industry contact that might help someone move their project forward.

We can't solve every problem, but sometimes one piece of advice or the right introduction can make all the difference. :)
You are right, John. I am also looking for a funded producer for my next feature film.
 
Project Pitch: Italian Comedy Feature Film

Following up on our project discussion,
I am excited to introduce an original Italian comedy feature film currently in development.


Rooted in the rich tradition of classic Italian caper comedies (in the vein of I soliti ignoti / Big Deal on Madonna Street),
the film tells the story of an ingenious, character-driven heist that spirals into a series of hilarious, unforeseen misadventures.


Designed with a strong blend of localized Mediterranean charm and universal humor, the project targets both
European theatrical distribution and wider international markets.


We have a complete pitch deck, logline, and treatment ready for review, and we are currently seeking international sales partners,
co-producers, and sales agents for market presentation.


Looking forward to discussing the project further and connecting with interested partners.
 
XCOM Survivor - An Encounter

Part One:
Dawn, the Skyranger’s hydraulic ramp lowered with a mechanical groan, hissing as the pressurized cabin equalized with the stagnant, humid night air of Rural Argentina.
Sergeant Jon Vance checked his weapon. His fingers, clad in the thick, polymer-weave gloves of his personal armor, ran over the receiver of his heavy plasma rifle. He hated the weapon's weight, but he respected its destructive power. Around him, the rest of Strike Team Alpha sat in tense silence. They were veterans of the Extraterrestrial Combat Unit XCOM—but tonight, the global Geoscape had flashed a dark, pulsing purple icon over this sector. A Very Large UFO had been brought down by an Interceptor's avalanche missiles. It was a Battleship.
"Listen up," Strike One, Captain Maria Sterling, barked over the tactical comms. "Satellite telemetry suggests a high concentration of hostiles. We have multiple signatures, diverse species. The eggheads back at Central are calling this a multi-layered infiltration unit. Watch your corners, mind your Time Units, and remember your spacing. We don't want a single alien grenade taking out a fireteam."
Vance nodded, stepping out onto the wet grass. The Battleship loomed in the distance, a towering, multi-tiered monolith of polished, purplish alloy that pulsed with residual Elerium-115 energy. Smoke billowed from a massive rupture in its lower hull, casting long, eerie shadows across the tall cornfields.
The squad fanned out in a classic wedge formation. Vance took the left flank, his heavy boots sinking slightly into the mud. To his right was Corporal Martinez, a fresh-faced rookie from Spain carrying a heavy laser, and Rookie Chen, whose wide eyes darted frantically under his tactical visor.
"I’ve got movement," Martinez whispered. "Fifty meters out, heading three-zero. Small. Fast."
Before Vance could turn his rifle, a high-pitched, guttural screech echoed through the stalks. Out from the darkness darted a pair of sectoids. They were short, bulbous-headed humanoids with translucent grey skin and oversized, glossy black eyes. They moved with an unsettling, spider-like agility, their small plasma pistols crackling with emerald light.
"Engaging!" Chen screamed, panic bleeding into his radio. He fired his standard-issue assault rifle wildly. The kinetic rounds shredded the corn husks, hitting nothing but air.
One of the sectoids paused, its oversized skull pulsing with a sickening violet radiance. Psionic attack.
Vance felt a sudden, icy needle prick the back of his mind. He gritted his teeth, forcing the intrusive thoughts away through sheer willpower. Chen wasn't so lucky. The rookie dropped his rifle, clutching his helmet as blood welled from his nose. He shrieked, collapsing into a fetal position, utterly broken by the mental assault.
"Martinez, take the left one! I’ve got the psychic!" Vance roared.
Vance dropped to one knee, anchoring his heavy plasma. He didn't use sights; he relied on instinct trained through dozens of horrifying drops. He squeezed the trigger. A concentrated bolt of superheated green plasma erupted from the barrel, illuminating the night. The shot struck the psionic alien square in the chest. The alien didn't just fall—it disintegrated, its alien biology boiling away into vapor in a fraction of a second.
To his right, Martinez’s heavy laser whined, a solid ruby beam slicing cleanly through the second sectoid, dropping it instantly.
"Clear," Vance breathed into his mic. "Chen is down. Neuro-trauma. He’s breathing, but he’s out of the fight."
"Secure him and move up," Captain Sterling commanded from the center line. "We have to reach that breach before they organize a counter-attack."
They advanced through the smoking crater surrounding the alien craft. The sheer scale of the Battleship was suffocating. Its outer hull was cold to the touch, constructed from a dense, unearthly metal that resisted Earth's most powerful explosives. As they approached the jagged hole torn open by the Interceptor's missiles, a deep, rhythmic thudding vibrated through the ground.
"Heavy infantry!" Vance yelled, diving behind a chunk of displaced hull plating.
From the smoke stepped a trio of Mutons. These colossal, green-skinned brutes stood over two and a half meters tall, their massive torsos encased in tight-fitting crimson organic armor. They didn't show the fear or agility of the sectoids but they moved with the disciplined, unstoppable momentum of a main battle tank.
The lead Muton roared—a sound like a grinding industrial engine—and unleashed a volley from its heavy plasma rifle.
The red-hot plasma bolts slammed into the hull piece Vance was using for cover. The alloy began to melt, dripping like hot wax. Martinez tried to return fire with his laser, but the beams merely scuffed the thick red armour of the lead brute. The Muton answered with a single, perfectly placed plasma bolt. The shot struck Martinez’s laser power pack. The resulting explosion was instantaneous and catastrophic.
Vance was thrown backward by the shockwave, his vision blurring as dirt and metallic shrapnel rained down on his armor. Through the ringing in his ears, he heard Sterling’s team opening fire with everything they had. Rockets detonated, lasers flashed, and the screech of alien plasma filled the air.
When Vance managed to push himself up, the landscape had turned into a slaughterhouse.
Captain Sterling lay motionless near the breach. The rest of Alpha squad was gone, scattered or vaporized by the sheer overwhelming firepower of the heavy alien squad. The three Mutons were still advancing, their heavy boots thumping in unison. Behind them, hovering effortlessly in the air, was something worse. A Floater—its hideous, grimacing humanoid torso crudely grafted onto a mechanical propulsion unit—drifted above the battlefield like a vengeful ghost, its plasma rifle sweeping the area for survivors.
Vance was alone. His squad was dead. His comms were dead, filled only with the static hiss of a severed tactical network.
His survival instinct, honed by a year of fighting a losing war, took over. He couldn't fight them in the open. He grabbed his heavy plasma rifle, scrambled to his feet, and threw himself through the smoking breach into the dark, labyrinthine interior of the alien Battleship.
Inside, the environment was a nightmare of non-Euclidean geometry and eerie green illumination. Tubes filled with glowing, cryogenic fluids lined the walls, and the air smelled faintly of ozone and decomposing organic matter. The deck vibrated beneath his boots—the ship's main power core was still active, humming with a deep, terrifying resonance.
Vance ran, his breath ragged inside his helmet. He didn't know where he was going, only that he needed to break line of sight.
A skittering sound echoed from the ceiling above him.
Vance spun around, bringing his rifle up just in time to see a nightmare made flesh drop from the overhead rafters. It was a Chryssalid. The creature was an apex predator, a terrifying four-legged insectoid abomination with a glistening, black chitinous exoskeleton, scythe-like claws, and a jaw dripping with hyper-toxic venom.
The Chryssalid screeched and lunged, its legs blurring with impossible speed.
Vance fired blindly. The plasma bolt clipped one of the creature's front legs, shattering the chitin, but the beast's momentum carried it forward. It crashed into Vance, knocking him to the hard, metallic floor. The heavy plasma rifle was ripped from his grip, clattering away down the narrow corridor.
The Chryssalid snapped its jaws inches from Vance’s faceplate. He could see the dripping stinger inside its mouth—the weapon it used to implant its horrific reproductive larvae into human hosts.
Desperate, Vance reached for his hip and pulled his plasma pistol. He jammed the barrel directly into the soft, unarmored tissue beneath the creature’s jaw and pulled the trigger repeatedly. Three rapid bursts of plasma cooked the creature from the inside out. The Chryssalid shuddered, its black blood boiling, and collapsed on top of him, a dead weight of smoking chitin.
Panting, Vance shoved the heavy carcass off his chest. He stood up, wiping the foul alien ichor from his visor. He looked down the hallway. His heavy rifle was gone, lost somewhere in the dark ventilation shafts below. He was down to a standard plasma pistol with a half-depleted clip and a single alien grenade he had looted from a previous mission.
Survive, he told himself. Just survive.
He crept deeper into the ship, navigating through what appeared to be a cloning laboratory. Rows of massive glass vats lined the walls, each containing the half-formed, pale bodies of Sectoids and Mutons drifting in amniotic fluid. This wasn't just a military invasion force; it was a terrifyingly efficient production line of biological weapons.
As he reached the end of the lab, a brilliant flash of blue light illuminated the dark corridor.
Vance froze, pressing his back against a bank of alien computer consoles. Rounding the corner was a Cyberdisc—a massive, metallic saucer that hovered a meter off the ground, its mechanical hull shifting and rearranging itself like a deadly puzzle box. The machine's central eye glowed with an ominous crimson light, scanning the room.
Vance held his breath. The Cyberdisc was a terror on the battlefield, armed with a high-output plasma cannon and capable of deploying deadly tracking mines.
The machine paused right in front of his hiding spot. The metallic plates on its side slid open, revealing its internal mechanism. Vance knew he had one shot. If the disc spotted him, its plasma cannon would turn him to ash before he could blink.
He didn't fire his pistol. Instead, he pulled the heavy, metallic alien grenade from his belt. He clicked the priming mechanism, counting the seconds in his head. Three... two...
He leaned out from behind the console and shoved the grenade directly into the open internal machinery of the Cyberdisc.
"Catch, you mechanical bastard," Vance snarled.
He threw himself backward into an empty cloning vat just as the grenade detonated. The explosion was deafening, amplified by the enclosed metallic corridors. The grenade's containment field collapsed, releasing a localized shockwave of pure plasma that tore the Cyberdisc apart from the inside. The machine’s volatile internal power core chain-reacted, resulting in a spectacular secondary explosion that blew out the walls of the laboratory and sent Vance spinning across the floor in a shower of sparks and broken glass.
Vance groaned, pushing away shards of reinforced glass. His armor was blackened, scarred, and cracked in multiple places. The internal HUD inside his helmet flickered violently before dying entirely, leaving him in absolute dark, save for the flickering fires of the burning Cyberdisc.
 
Part Two:
He dragged himself to his feet, using the wall for support. His ribs ached with every breath, and he could taste copper in his mouth. He checked his plasma pistol. The power cell was blinking red. He had maybe two shots left.
He had to get out. He had to find the bridge, override the lift systems, or find an escape hatch.
He staggered down the primary access corridor, following the green power conduits running along the floor. The ship was dying around him; the destruction of the Cyberdisc and the damage from the Earth interceptor had destabilized the lower power grids. Secondary explosions rumbled through the belly of the beast.
The corridor opened up into a massive, multi-tiered chamber. It was the command bridge.
In the center of the room stood a raised dais, surrounded by holographic displays projecting maps of Earth’s major cities. Standing upon the dais was the master of this vessel: an Ethereal.
The creature was terrifyingly thin, its frail, elongated limbs shrouded in flowing, ornamental robes of a shimmering, iridescent fabric. It had no visible mouth or nose, only a pale, hairless face dominated by large, glowing eyes that burned with an ancient, malevolent intelligence.
The moment Vance stepped into the chamber, the Ethereal turned.
Vance didn't hesitate. He raised his plasma pistol and fired his remaining two shots. The green bolts streaked across the bridge, aimed directly at the creature's head.
But the bolts never hit. A meter away from the Ethereal, an invisible, shimmering barrier of pure psionic energy flared into life. The plasma bolts splashed harmlessly against the telekinetic shield, dissipating into the air.
The Ethereal didn't move a muscle, but a voice exploded inside Vance’s mind—not a sound, but a crushing wave of pure, unadulterated thought that made his skull feel like it was fracturing.
“Mortal. Fragment of a broken race. You crawl through our vessels like vermin, yet you dare lift your primitive hands against the architects of your destiny?”
Vance fell to his knees, drop-dropping his useless pistol. He clutched his head with both hands as a blinding migraine threatened to tear his consciousness apart. Blood poured from both of his ears, staining the inside of his helmet. The Ethereal raised a single, long-fingered hand, lifting Vance completely off the ground with a casual wave of telekinetic power.
Vance floated three meters in the air, his limbs pinned to his sides by an invisible, crushing weight. He could feel his ribs bending, threatening to snap and pierce his lungs.
“Your species is a failure,” the Ethereal’s psychic voice echoed, dripping with cold, clinical arrogance. “A crude collection of genetic material. We have cultivated a thousand worlds, engineered a thousand servants. You are but raw matter to be harvested for the grand design.”
Vance gasped for air, his vision fading to black at the edges. He looked down at the Ethereal. He thought of Captain Sterling. He thought of Martinez, torn to pieces by plasma. He thought of Chen, reduced to a screaming shell. He thought of the billions of people on Earth, sleeping under a sky filled with these predatory gods.
No, Vance thought, focusing every ounce of his remaining strength into a single, burning spark of defiance. Not today.
With a desperate, agonizing effort, Vance forced his right arm to move against the telekinetic pressure. His muscles tore, his joints popped, but he refused to stop. He reached into the small utility pouch on his chest armor.
He didn't have weapons. He didn't have grenades.
But he had the tracking beacon.
It was a small, high-frequency subspace transponder used to guide X-COM Skyrangers and heavy artillery strikes to precise coordinates.
Vance jammed his thumb down on the primary activation switch. The beacon flared to life, emitting a sharp, rhythmic electronic beep that bypassed the ship’s internal jamming arrays.
The Ethereal’s glowing eyes widened slightly. For the first time, Vance sensed a flicker of something resembling surprise—perhaps even fear—in the creature’s overwhelming psychic presence.
“What have you done?” the voice demanded.
Vance smiled through the blood coating his teeth. He looked directly into the alien’s eyes.
"I called for backup," Vance choked out.
Outside the Battleship, five miles away in the upper atmosphere, an X-COM Firestorm aircraft detected the sudden, clear beacon signal originating from the heart of the downed alien craft. The pilot didn't hesitate, locking onto the coordinates and releasing a heavy payload of Fusion Missiles—the pinnacle of Earth’s reverse-engineered alien technology.
The missiles streaked through the night sky, tracking the signal with flawless precision.
Vance felt the air pressure change a split second before impact. The telekinetic grip vanished as the Ethereal threw up its arms in a desperate attempt to shield itself.
The fusion warheads slammed directly into the bridge of the Battleship.
The resulting explosion was a blinding sun of white-hot energy. The top three tiers of the alien Battleship vanished in a microsecond, the structure torn apart by the raw power of fused atoms. The shockwave ripped through the vessel, tearing the alien hull to shreds and throwing Vance’s armored body through the shattered viewing port out into the open air.
The sun was rising over the Argentinian pampa when the recovery Skyranger appeared.
A team of X-COM containment specialists, clad in clean bio-hazard suits, stepped off the ramp, their plasma rifles raised as they scanned the smoking, blackened crater that had once been an alien Battleship. The wreckage was scattered for miles, a graveyard of twisted metal and alien debris.
"Search for survivors, but keep your eyes open," the team lead ordered. "Nothing could have survived that blast, but we don't take chances with Chryssalids."
A medic walked along the edge of the debris field, his scanner buzzing rhythmically. Suddenly, the scanner let out a sharp, continuous tone.
"Sir! I’ve got a life sign! Human bio-signature, faint but stable!"
The team rushed over to a deep furrow in the mud, nearly a quarter-mile from the main crash site. Buried beneath a crumpled piece of X-COM alloy plating was a lone figure.
It was Sergeant Jon Vance.
His personal armor was mostly destroyed, the chest plate shattered and the helmet cracked wide open. He was covered in mud, soot, and a mixture of human and alien blood. His breathing was shallow, his ribs broken, and his right arm was severely fractured.
But as the medic knelt beside him and cleared the debris from his face, Vance opened his eyes. He looked up at the blue Earth sky, blinking against the morning light.
He reached out his left hand, his fingers curling around the medic’s forearm with surprising, iron-clad strength.
"The bridge... is clear," Vance whispered, his voice a gravelly rasp. "Tell the Commander... we won this one."
The medic stared at him in utter disbelief before a slow, reverent smile spread across his face. He began administering a stabilizing dose of alien-derived medikit spray to Vance’s wounds.
"Copy that, Sergeant," the medic said softly. "Let's get you home."
As the heavy transport lifter hoisted Vance into the belly of the Skyranger, the lone survivor looked back at the smoldering ruins of the alien titan. They were coming from the stars in numbers humanity could barely comprehend, with technologies that defied human science. But as long as there was a single soldier willing to bleed, crawl, and fight back against the dark, Earth will not fall.
 
Back
Top